My entire apartment smells like tacos.
I can’t wait for it to get cold and stay like that, I’m so in the mood to listen to all these wintertime albums
Is it just me or does Boris put out a new album like every 10 minutes
With their new album ‘Noise’, Japanese doom mavericks Boris have managed to combine the melodic, poppy approach of their recent work with the crushing weight of their earlier, heavier material. Jonathan Dick caught up with the band to find out how they did it, and caught a fascinating glimpse into the trio’s creative process…
The fact that Boris take their name from a Melvins song has proved itself to be a more than appropriate connection between two bands whose sound has become as well known for being unpredictable and difficult to categorize as it has for being influential to a number of artists and bands from an incredibly wide range of styles. In their twenty-two years of existence as a band, the Boris sound has mutated from the band’s earliest days with experimental noise to the more pop balanced stylings of their recent releases. Though each of their nineteen releases, including this year’s excellent ‘Noise’, are inherently different from each other with the trio of Atsuo (drums/vocals), Wata (guitar/keyboards/vocals), and Takeshi (bass/guitar/lead vocals) as resistant as ever to anything but change – the band’s central musical theme is still unwaveringly set on loud. It’s a commonality that finds the band again sharing the same aesthetic stage with their namesake who, for all their genre bending, will always be an immovable force in the realm of the loud and the heavy.